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Composer Brian Tyler started work on the music for the movie early, writing about a half hour of music before filming even began.
Working on the film for a year and half, Tyler recorded with an 84-piece orchestra and 32-voice choir at London’s Abbey Road.
It's amazingly relentless in its naked borrowing from other, better horror and sci-fi movies that I was able to keep occupied making a checklist of the movies referenced.
In BBC World News Culture, Nicholas Barber calls the film "a mish-mash of wildly varying tones and plot strands, from its convoluted beginning to its shameless non-end.
And in not saying anything but conveying that much to me, I thought oh my god, no matter how much prosthetics we put on her, no matter how much CG we put on her face, if I see this, she's going to convey something very emotional to me." Shortly after the film opened, Variety reported that Cruise had excessive control over the film and firm control of nearly every aspect of production and post-production, including re-writing the script and editing to his specifications, telling Kurtzman how to direct on set, and enlarging his role while downplaying Boutella's.
Universal contractually guaranteed Cruise control of most aspects of the project, from script approval to post-production decisions.
the ancient Egyptian god of deserts, storms, darkness, and violence, who aids Princess Ahmanet in her quest to rule Egypt.
Set has a connection with Nick Morton, as the latter is intended to be the human vessel for his resurrection.
Some generated content parodies existing styles and artists, whilst others are based on original structures.Tom Cruise's new film barely qualifies as a film at all. The film delivers all the chases, explosions, zombies and ghosts you could ask for, and there are a few amusing lines and creepy moments, but, between the headache-inducing flashbacks and hallucinations, the narrative would be easier to follow if it were written in hieroglyphics." Peter Bradshaw of The Guardian wrote that the film "has some nice moments but is basically a mess.The plot sags like an aeon-old decaying limb, a jumble of ideas and scenes from what look like different screenplay drafts." Empire film magazine was more positive, with Dan Jolin awarding the film three stars.On Rotten Tomatoes the film has an approval rating of 16% based on 246 reviews, with an average rating of 4.2/10.
The site's critical consensus reads, "Lacking the campy fun of the franchise's most recent entries and failing to deliver many monster-movie thrills, The Mummy suggests a speedy unraveling for the Dark Universe." Vince Mancini of Uproxx gave the film a negative review, writing: "If you like incomprehensible collections of things that vaguely resemble other things you might've enjoyed in the past, The Mummy is the movie for you." Indie Wire's David Ehrlich gave the film a D-, calling it the worst film of Cruise's career and criticizing its lack of originality, saying: "It's one thing to excavate the iconography of old Hollywood, it's another to exploit it.
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